Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0096
In stock
Only 1 left
- SKU
- SCHECTER879-B0096
- Color
- Black
Description
Sound & Tone
The 28-inch baritone scale keeps low tunings tight and defined, and the mahogany body with ash top pushes thick midrange and punchy lows, while the neck-through maple construction and ebony fretboard add sustain and note separation. The single Lundgren humbucker is articulate and present, tracking pick attack cleanly through high-gain riffing without turning muddy, and the killswitch invites stutter effects. Best suited to modern metal, djent and progressive playing, though the ebony board and hardtail bridge also keep clean and lead passages clear.
Schecter KM-6 MK-III EX Guitar Satin Black Open Pore
The KM-6 MK-III EX is engineered for studio sessions and high-output recording work, delivering exceptional tonal clarity and sustain across extended tracking sessions. The satin black open pore finish allows the wood to resonate freely, yielding a warmer, more organic tone compared to polyurethane-sealed guitars—critical for capturing natural dynamics in the studio. The thin C profile neck accommodates aggressive playing styles without fatigue, while premium hardware and neck-through construction maintain rock-solid tuning stability throughout long sessions. Tonally, this instrument produces thick, articulate midrange and punchy lows that cut through dense mixes, translating consistently to recordings with minimal processing.
Recording Architecture & Playability
Built on a neck-through design with a hard maple 3-piece neck featuring 2 carbon fiber reinforcement rods, this guitar delivers superior sustain and resonance for both clean and distorted tracking. The thin C profile combined with a 42mm Graph Tech XL Black Tusq nut and 24 extra-jumbo stainless steel frets on a 12"-16" compound radius ebony fretboard ensures consistent intonation and touch response across the entire 28-inch baritone scale, critical for precise overdub layering and performance consistency.
Tone & Electronics
The Lundgren Black Heaven bridge pickup paired with a single killswitch for on/off control captures articulate, punchy tonality with excellent clarity and presence in recordings. The satin black open pore finish allows the mahogany body with ash top to resonate naturally, producing warmth and organic sustain that translates faithfully to tape and responds dynamically to pick attack—essential for capturing expressive performances that sit well in the final mix.
Key Features
- Mahogany body with ash top
- Neck-through construction with 3-piece hard maple neck
- 2 carbon fiber reinforcement rods in neck
- 28-inch baritone scale length
- Thin C neck profile
- 24 extra-jumbo stainless steel frets
- Ebony fretboard with 12"-16" compound radius
- 42mm Graph Tech XL Black Tusq nut
- Lundgren Black Heaven bridge pickup with single killswitch
- Hipshot hardtail bridge
- Schecter locking tuners
- Satin black open pore finish with satin black hardware; right-handed configuration
The KM-6 MK-III EX combines meticulous hardware selection, premium tonewoods, and thoughtful ergonomic design to deliver a baritone instrument capable of commanding presence in any contemporary musical context.
This specific B-Stock unit features minor cosmetic imperfections: finish chips on the lower edge and upper body of the satin black open pore finish. These marks are purely superficial and have absolutely zero impact on the playability, tone, or structural integrity of the guitar. You're getting a premium Schecter KM-6 MK-III EX at a significant B-Stock discount while enjoying the full manufacturer warranty.
More Information
| Condition | Refurbished |
|---|---|
| Dexterity | Right handed |
| Neck Construction | Neck-Thru-Body |
| Country of Manufacture | South Korea |
Reviews
This guitar ships without a case
Add the matching hard caseSchecter C-Shaped Hardcase SGR-1C
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Specifications
| Body Style | Single Cutaway |
|---|---|
| Body Wood | Mahogany |
| Top | Ash |
| Scale Length | 28" Scale |
| Frets | 24 Frets |
| Fretboard | Ebony |
| Nut Width | 42mm |
| Neck Wood | Maple |
| Neck Profile | Thin "C" |
| Neck Construction | Neck-Thru-Body |
| Pickup Models | Lundgren Black Heaven (bridge) |
| Bridge | Hipshot |
| Strings | 6 |
| Orientation | Right handed |
| Model Year | 2024 |
| Made In | South Korea |
Who This Is For
Great for
- ✓ Metal
- ✓ Hard Rock
- ✓ Djent
- ✓ Drop Tunings
- ✓ Studio Sessions
Not the best pick for
- – Jazz
- – Traditional Blues
- – Folk
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What does B-Stock mean, and how does it affect the guitar's playability or tone?
B-Stock means this guitar is fully functional with minor cosmetic imperfections—in this case, finish chips on the lower edge and upper body of the satin black open pore finish. These marks are purely superficial and have zero impact on playability, tone, or structural integrity. You're getting the exact same professional-grade instrument at a significant discount.
Is this guitar suitable for standard tuning and non-metal genres?
The KM-6 MK-III EX is optimized for metal, hard rock, djent, and drop tunings. While the 28-inch baritone scale and thick midrange work best in those contexts, it is not recommended for jazz, traditional blues, or folk styles where its character may not align with typical sonic expectations.
What pickup is in this guitar, and can I control it?
The guitar features a Lundgren Black Heaven bridge pickup paired with a single killswitch for on-off control, delivering articulate, punchy tonality with excellent clarity and presence. The killswitch allows you to cut signal on demand for dynamic playing.
How does the 28-inch baritone scale and thin C neck profile feel compared to standard guitars?
The 28-inch baritone scale is significantly longer than standard guitars, making it ideal for drop tunings and lower registers. The thin C profile neck excels at grinding aggressive riffs and executing precise lead work, creating an effortless playing experience across the entire fretboard with 24 extra-jumbo stainless steel frets.
What makes the satin black open pore finish different from typical guitar finishes?
The satin black open pore finish allows the mahogany body and ash top to resonate freely, producing warmer, more organic tone and natural sustain compared to polyurethane-sealed guitars. The tactile open pore texture also encourages extended playing sessions by reducing hand fatigue.
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