SCHECTER879-B0096 vs SCHECTER927-B0354 — Compare

Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0096 vs Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

The KM-6 MK-III EX is a baritone-scale neck-through designed for extreme drop tunings and studio precision with organic warmth, while the C-1 FR-S Przym is a standard 25.5" scale set-neck focused on high-gain live performance with Sustainiac infinite sustain. Choose the KM-6 for heavy studio work and tuning flexibility; choose the C-1 for gigging musicians who need versatile high-gain voicing and sustain effects.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0096

$1,279.20
View Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0096

Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

$1,599.20
View Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

Specs side by side

Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0096Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354
Price$1,279.20$1,599.20
BrandSchecterSchecter
SeriesSchecter Keith Merrow KMSchecter C-1
BodySingle CutawayDouble Cutaway
Body TypeSolidSolid
Scale28" Scale25.5" Scale
Strings66
Frets24 Frets24 Frets
FretboardEbonyEbony
NeckMapleMahogany
Neck ConstructionNeck-Thru-Body—
BridgeHipshotTremolo
Year20242025
ConditionRefurbishedRefurbished

Why choose Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0096

  • ✓ 28-inch baritone scale excels at extreme drop tunings
  • ✓ Neck-through construction with 3-piece maple neck for superior sustain and resonance
  • ✓ Open pore satin finish allows natural wood resonance for warmer, organic tone
  • ✓ Lundgren Black Heaven bridge pickup delivers punchy lows and thick midrange clarity

Why choose Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

  • ✓ Sustainiac System neck pickup provides infinite sustain and true single-coil voicing switching
  • ✓ Fishman Fluence Modern Ceramic bridge pickup with push-pull controls for alternate voices on the fly
  • ✓ Standard 25.5" scale maintains traditional pitch definition and string tension
  • ✓ Set-neck with carbon fiber rods balances resonance with playable weight for extended sets
Bottom line: Pick the KM-6 MK-III EX if you tune low, record in studio, and prioritize organic sustain and warm tone. Pick the C-1 FR-S Przym if you gig frequently, need high-gain articulation, and want instant sustain and voicing flexibility during performance.

Frequently asked questions

What's the main tuning difference between these guitars?

The KM-6 MK-III EX uses a 28-inch baritone scale optimized for extreme drop tunings, while the C-1 FR-S Przym uses a standard 25.5" scale better suited for traditional and drop-D applications. The baritone scale provides lower fundamental pitch and looser string tension for ultra-heavy tunings.

Which guitar is better for live performance?

The C-1 FR-S Przym is designed for gigging with its Sustainiac infinite sustain system, multiple voicing options via push-pull controls, and master volume/tone controls for real-time adjustments. The KM-6 MK-III EX prioritizes studio tone and sustain through construction rather than live switching capability.

How do the pickup systems differ?

The KM-6 features a single Lundgren Black Heaven bridge pickup with a killswitch for on/off control, delivering thick midrange and punchy lows. The C-1 pairs a Fishman Fluence Modern Ceramic bridge (high-gain cutting response) with a Sustainiac neck pickup offering infinite sustain and switchable single-coil voicing via mini switches.

What is the tone character difference?

The KM-6 produces warm, organic sustain with articulate midrange due to its open pore finish and neck-through construction. The C-1 delivers articulate high-gain response optimized for cutting through dense mixes with versatile mid-range presence and the ability to layer infinite sustain effects.

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