4732-M-HF vs 5732-M-HF — Compare

JBL 4732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately) vs JBL 5732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

The 4732-M/HF uses four 6.5-inch midrange drivers for broader coverage and multiple compression driver flexibility, while the 5732-M/HF employs dual 8-inch drivers for higher power density and tighter phase coherence in larger cinema and post-production facilities. Choose the 4732-M/HF for mid-sized premium installations requiring flexible tri-amp routing; choose the 5732-M/HF for high-output cinema venues and mastering suites demanding maximum power handling and phase precision.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

JBL 4732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

$3,400.00
View JBL 4732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

JBL 5732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

$3,400.00
View JBL 5732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

Specs side by side

JBL 4732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)JBL 5732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)
Price$3,400.00$3,400.00
BrandJBLJBL
Speaker TypeLine ArrayLine Array
Install TypeInstalledInstalled
ConditionNewNew

Why choose JBL 4732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

  • ✓ Four 6.5-inch midrange transducers provide distributed tonal balance and wider driver redundancy
  • ✓ Flexible bi-amp and tri-amp configurations with separate 4 ohm MF and 8 ohm HF impedance options
  • ✓ Proven ScreenArray architecture with controlled 90×50-degree coverage pattern suited to varied theater layouts

Why choose JBL 5732-M/HF Mid-High Section Only - Cinema ScreenArray (LF Sold Separately)

  • ✓ Dual 8-inch neodymium drivers deliver significantly higher power handling (700 W MF vs. 200 W AES on 4732)
  • ✓ Larger compression driver (38 mm vs. 3-inch) and damped titanium diaphragm ensure extended high-frequency detail and tighter phase coherence
  • ✓ Higher sensitivity (110 dB midrange) reduces amplifier load in large-format cinema installations
Bottom line: Select the 4732-M/HF if you need flexible amplifier routing and multi-driver midrange distribution for mid-to-large venues. Select the 5732-M/HF if your facility demands maximum power density, extended HF detail, and phase-critical mixing in mastering or flagship cinema environments.

Frequently asked questions

What is the main driver difference between these two cabinets?

The 4732-M/HF uses four 6.5-inch (165H) midrange drivers, while the 5732-M/HF uses dual 8-inch (200 mm) Differential Drive neodymium midrange drivers. The 8-inch drivers in the 5732 deliver higher output and tighter phase response; the quad 6.5-inch configuration in the 4732 distributes coverage more broadly and allows tri-amp flexibility.

Which has higher power handling and sensitivity?

The 5732-M/HF handles significantly more power (700 W MF, 150 W HF) compared to the 4732-M/HF (200 W AES MF, 85 W AES HF), and also offers higher sensitivity (110 dB midrange, 115 dB HF). This makes the 5732 better suited to large-scale cinema and mastering facilities requiring sustained high output.

Are these compatible with the same low-frequency sections?

No. The 4732-M/HF pairs only with the 4739 low-frequency cabinet, while the 5732-M/HF requires the 5739 (dual-15 inch) low-frequency section. Each system is a matched three-way design and cannot be interchanged.

Which is better for a mastering suite or post-production control room?

The 5732-M/HF is better suited to critical mastering and post-production mixing due to its larger compression driver, damped diaphragm, tight phase coherence, and higher sensitivity. The 4732-M/HF is well-suited to post-production but excels in multi-format cinema venues where flexible amp routing and broader driver distribution matter.

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