Shadow Rockabilly Pro Upright Bass Stereo PreAmp System
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Shadow Rockabilly Pro Upright Bass Stereo PreAmp System
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- SKU
- SH-RB-PRO
Description
Shadow Rockabilly Pro Upright Bass Stereo PreAmp System
The Shadow Rockabilly Pro is a dual-pickup and preamp solution engineered for recording upright bass with independent control over slap and bridge tones. Developed in collaboration with renowned rockabilly bassist Didi Beck, this system captures the percussive attack of fingerboard-mounted slap articulation alongside the full-bodied resonance of bridge-mounted pickup response, all in a compact interface designed for studio tracking and post-production flexibility.
Dual-Channel Recording & Tone Shaping
Each of the two included pickups—one mounted under the fingerboard for slap, one at the bridge for fundamental tone—feeds its own independent channel with fully dedicated controls. The bridge channel offers Gain, Bass, Mid, Presence, and Volume adjustment plus a Subsonic Filter and Pre-Shape function, enabling clean low-end management in dense mixes, while the slap channel provides Gain, Lo-Cut, Treble, and Volume with a switchable 4 kHz / 8 kHz bass frequency control, giving you surgical precision to isolate slap character or blend it seamlessly with the fundamental.
Studio Integration & Signal Flow
Built-in tools include a phase switch for phase-coherent blending of both channels, an automatic chromatic tuner for fast session setup, and the ability to route to either mono or dual-channel amplifiers or audio interfaces. The system runs on a single 9V DC input, making it practical for both live and studio environments.
Key Features
- Two included pickups: slap (fingerboard-mounted) and bridge-mounted
- Stereo pickup and preamp combination for upright bass
- Bridge channel controls: Gain, Bass, Mid, Presence, Volume, Subsonic Filter, Pre-Shape
- Slap channel controls: Gain, Lo-Cut, Treble, Volume with switchable 4 kHz / 8 kHz bass frequency
- Phase switch for feedback control
- Automatic chromatic tuner
- Mono or dual-channel amplifier connection
- 9V DC power input
- Compatible with upright bass and tololoche
The Shadow Rockabilly Pro delivers multi-channel recording control and session flexibility for producers tracking authentic acoustic tone and cutting slap definition across rockabilly, jazz, blues, and contemporary upright bass sessions.
More Information
| Condition | New |
|---|---|
| Country of Manufacture | United States |
Reviews
At a Glance
The Shadow Rockabilly Pro gives home and professional recording engineers a two-channel capture system for upright bass with independent EQ and dynamics control on each pickup channel—slap and bridge—letting you blend and shape them separately during recording and mixing. Its dual-channel design means you can record both articulations simultaneously and adjust their balance, tone, and presence in the mix without re-recording, making it ideal for sessions where you want authentic upright character with cutting definition. The built-in tuner, phase control, and 9V operation make it a practical, self-contained solution for capturing clean, professional upright bass recordings.
Who This Is For
Great for
- ✓ Rockabilly
- ✓ Jazz
- ✓ Blues
- ✓ Slap Bass
- ✓ Live Performance
Not the best pick for
- – Metal
- – Punk
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What is included in the box?
The system includes two pickups—one fingerboard-mounted for slap articulation and one bridge-mounted for fundamental tone—plus the stereo preamp with all necessary controls, phase switch, built-in chromatic tuner, and 9V DC power input.
Can I use this with a mono amplifier, or do I need stereo?
The Shadow Rockabilly Pro supports both mono and dual-channel amplifier connections, so you can run it with a standard mono amp if needed, though dual-channel setups give you full independent control over slap and bridge tones.
What genres and playing styles is this designed for?
This system is engineered for rockabilly, blues, jazz, and slap bass styles; it is not optimized for metal or djent applications.
What controls does each channel have?
The bridge channel offers Gain, Bass, Mid, Presence, Volume, Subsonic Filter, and Pre-Shape; the slap channel provides Gain, Lo-Cut, Treble, Volume, and a switchable 4 kHz / 8 kHz bass frequency control for independent tone shaping on each pickup.
Does it help prevent feedback?
Yes, the system includes a phase switch specifically designed for feedback control, plus a Subsonic Filter on the bridge channel to manage low-end rumble and unwanted resonance.
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