Seymour Duncan Slash 2.0 Bridge Humbucker Reverse Zebra 4-Conductor SE
- Brand new in original box
- Full Seymour Duncan manufacturer's warranty
- Free shipping in the continental US
In stock
- SKU
- 11104-19-Rz-4c-bpSh
Description
Seymour Duncan Slash 2.0 Bridge Humbucker Reverse Zebra 4-Conductor SE Pickup
The Slash 2.0 Bridge delivers aggressive, articulate high-end response with controlled midrange punch—a pickup engineered to capture definition across lead lines and rhythm work. Its reverse zebra aesthetic pairs classic appeal with modern performance, and the four-conductor wiring unlocks flexible coil-splitting and series/parallel switching options for tonal versatility in the studio and on tape.
Tone & Recording Character
Built around an Alnico II magnet, this bridge humbucker achieves a balanced brightness that sits forward in a mix without sacrificing warmth or sustain. The 9.38 kΩ DC resistance positions it in the mid-output range, offering responsive dynamics and clarity ideal for tracking single-note passages while maintaining enough body for full chord recordings and layering.
Construction & Specifications
Hand-built in Santa Barbara, this pickup features a nickel silver bottom plate with long mounting legs for secure installation and consistent output. The four-conductor architecture, combined with single-conductor braided lead wire, maple spacer, paper tape, and wax potting, ensures reliable shielding and longevity through extended studio sessions.
Key Features
- Alnico II magnet
- 9.38 kΩ DC resistance (bridge position)
- Four-conductor wiring
- Nickel silver bottom plate
- Long mounting legs
- Reverse zebra color scheme
- Hand-built in Santa Barbara
- Maple spacer construction
- Wax-potted for noise reduction
- Single-conductor braided lead wire
This Slash 2.0 is a purpose-built bridge pickup for engineers and producers tracking articulate treble, controlled mids, and the switching flexibility that four-conductor design provides—essential tools for recording versatile guitar tones.
More Information
| Condition | New |
|---|
Reviews
At a Glance
The Seymour Duncan Slash 2.0 Bridge is a mid-output humbucker built for recording aggressive lead lines and heavy rhythms, with balanced brightness and controlled mids that sit clearly in a dense mix. The four-conductor design lets you coil-split or run series/parallel within your DAW workflow, giving you tonal range from a single pickup, and the Alnico II magnet delivers responsive dynamics ideal for capturing articulate single-note passages and full-bodied chords in one session. Use this for hard rock, metal, and any genre demanding high-output clarity without sacrificing warmth or sustain.
Who This Is For
Great for
- ✓ Hard Rock
- ✓ Metal
- ✓ Lead work
- ✓ Studio Sessions
Not the best pick for
- – Jazz
- – Blues
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What does four-conductor wiring allow me to do?
Four-conductor wiring unlocks coil-splitting and series/parallel switching, giving you access to single-coil tones and different voicings from one pickup without needing multiple pickups or rewiring.
Is the Slash 2.0 Bridge suitable for jazz or blues?
No; this pickup is voiced for hard rock and metal lead work, with aggressive high-end response and mid-output clarity that is not optimized for the warm, sustained tones needed in jazz or blues.
What skill level do I need to install this pickup?
Installation requires intermediate to advanced soldering skills if you plan to leverage the four-conductor switching options; basic pickup swap is achievable for intermediate players, but harnessing the full switching capability benefits from technical experience.
How does the Slash 2.0 compare to other mid-output bridge pickups?
The Slash 2.0 sits between the EMG 81/85 and DiMarzio Super Distortion in output and tone; it emphasizes articulate treble and clarity over raw aggression, making it ideal for lead definition and rhythmic chop rather than maximum crunch.
What is the reverse zebra color scheme?
Reverse zebra is the magnet color pattern on the pickup—it's a visual aesthetic that pairs classic appeal with modern performance and does not affect tone or function.
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