Seymour Duncan SJ5-3S Quarter Pound 5-String Pickup Set For Jazz Bass
Seymour Duncan SJ5-3S Quarter Pound 5-String Pickup Set For Jazz Bass
In stock
- SKU
- 11402-55
Description
Seymour Duncan SJ5-3S Quarter Pound 5-String Pickup Set For Jazz Bass
The Seymour Duncan SJ5-3S Quarter Pound captures punchy, articulate tones that cut through dense mixes without muddying the midrange character essential to jazz and fusion recordings. These single-coil pickups are engineered for direct retrofit into Fender Jazz V basses and compatible 5-string instruments, with precision string spacing and magnetic field geometry optimized for balanced tracking across all five strings.
Recording Tone & Output Character
Both the neck and bridge pickups feature 0.25" Alnico V rod magnets and boast a resonant peak at 5.56 kHz, delivering the brightness and definition expected from high-output true single-coils. The EQ voicing of 7/3/6 (Bass/Mid/Treble) emphasizes fundamental weight while keeping mids controlled and treble articulate—ideal for tracking solos, locked-in groove passes, and layered bass arrangements in the studio.
Design & Specifications
The neck pickup employs RW/RP (reverse wind reverse polarity) configuration to eliminate hum when both pickups are blended together during tracking and mixing. Bridge pickup measures 22.2 kΩ DC resistance with 3.10" string spacing (78.7mm), while the neck sits at 20.9 kΩ with 3.00" spacing (76.2mm)—precision dimensions for optimal magnetic field alignment and consistent string-to-string response. The included logo cover maintains finish aesthetics while the single two-conductor shielded cable simplifies installation and minimizes noise floor in your recording chain.
Key Features
- High-output true single-coil design for cutting tone and articulate response
- Bridge pickup DC resistance: 22.2 kΩ; Neck pickup: 20.9 kΩ
- Resonant peak: 5.56 kHz (both pickups)
- 0.25" Alnico V rod magnets for clarity and punch
- EQ voicing: 7/3/6 (Bass/Mid/Treble)
- Neck pickup features RW/RP configuration for hum cancellation in parallel mode
- Bridge string spacing: 3.10" (78.7mm); Neck string spacing: 3.00" (76.2mm)
- Direct retrofit for Fender Jazz V and compatible 5-string bass models
- Single two-conductor shielded cable included
- Includes logo cover
This set combines the aggressive output and frequency response of the Quarter Pound line with the hum-canceling benefits and refined spacing geometry required for capturing defined, punchy bass tones on modern 5-string jazz bass recordings.
More Information
| Condition | New |
|---|---|
| Country of Manufacture | United States |
Reviews
At a Glance
The Seymour Duncan SJ5-3S Quarter Pound brings pro-level punch and articulation to 5-string jazz bass recording and mixing, with a resonant peak at 5.56 kHz that cuts through dense arrangements while maintaining solid midrange definition. The RW/RP neck pickup eliminates hum in blended positions, and the EQ voicing (7/3/6 Bass/Mid/Treble) keeps fundamentals weighted while treble stays articulate—perfect for capturing tight groove work and soloistic clarity in session tracks. Drop this set into your Fender Jazz V for immediate tonal upgrade that pairs well with modern recording techniques.
Who This Is For
Great for
- ✓ Jazz
- ✓ Fusion
- ✓ Funk
- ✓ Studio Sessions
Not the best pick for
- – Metal
- – Thrash Metal
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What bass models does this pickup set fit?
The SJ5-3S is engineered as a direct retrofit for Fender Jazz V basses and compatible 5-string instruments. Bridge pickup spacing is 3.10 inches (78.7 mm) and neck spacing is 3.00 inches (76.2 mm) to ensure proper alignment.
Why does the neck pickup have RW/RP configuration?
RW/RP (reverse wind reverse polarity) on the neck pickup eliminates hum when both pickles are blended together in parallel mode, a common issue with traditional single-coil designs.
How does the output and tone character compare to other jazz bass pickups?
The Quarter Pound design delivers high-output, punchy articulation with a bright, cutting character defined by a 5.56 kHz resonant peak and an EQ voicing of 7/3/6 (Bass/Mid/Treble). This makes it more aggressive and cutting than vintage options like Fender Original Jazz Bass Pickups, while keeping midrange presence intact for jazz and fusion applications.
What comes in the box?
The set includes neck and bridge pickups, a logo cover for finish aesthetics, and a single two-conductor shielded cable for simplified installation and noise minimization.
What genres is this set best suited for?
These pickups are engineered for jazz, fusion, funk, and studio session work. Their punchy, articulate character and hum cancellation make them less suitable for metal and thrash metal applications.
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