Seymour Duncan SA-3SC Single Coil Woody, Walnut Pickup

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  • Brand new in original box
  • Full Seymour Duncan manufacturer's warranty
  • Free shipping in the continental US

In stock

SKU
11500-30-WLN
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Description

Seymour Duncan SA-3SC Single Coil Woody, Walnut Pickup

The SA-3SC Woody is a warm, woody-voiced soundhole pickup engineered to capture the natural resonance of steel-string acoustics with minimal feedback. Its compact walnut housing sits discreetly in the soundhole, making it ideal for recording and mixing sessions where amplified acoustic tone is needed without aesthetic compromise or the bulk of larger pickup systems.

Design & Construction

Built with double potted construction, this passive magnetic pickup resists feedback and handles both studio tracking and live volumes reliably. The walnut stained wood housing blends seamlessly with acoustic instruments while the single coil design delivers articulate, transparent signal directly from the guitar's natural vibration—preserving definition and clarity in multitrack sessions.

Installation & Compatibility

The pickup fits soundholes ranging from 3.75″ to 4.0″ (94–100mm), covering the vast majority of steel-string acoustics. Installation is straightforward—the package includes mounting screws, springs, and wiring diagrams—and the included 14-foot studio-quality, low-capacitance cable connects directly to your preamp, interface, or mixing console without tone loss over distance.

Key Features

  • Passive magnetic soundhole pickup with single coil design
  • Walnut stained wood housing for natural aesthetic blend
  • Double potted construction for feedback resistance
  • Soundhole compatibility: 3.75″ to 4.0″ (94mm to 100mm)
  • Steel-string acoustic guitar compatibility only (not suitable for nylon strings)
  • Includes 14-foot low-capacitance studio-quality cable
  • Mounting screws and springs included
  • Wiring diagrams and installation documentation provided
  • Manufactured in Santa Barbara, CA, USA

The SA-3SC delivers the acoustic character and reliability expected from Seymour Duncan's American-made pickup engineering, making it a dependable choice for tracking and mixing acoustic guitars in the studio.

More Information
Condition New
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At a Glance

The SA-3SC Woody is a passive magnetic soundhole pickup that captures the natural resonance and warmth of steel-string acoustics while staying transparent in a mix. Its compact design and low-feedback construction make it ideal for recording sessions where you want amplified acoustic tone without piezo harshness or artificial coloration. Install it once, run the included 14-foot low-capacitance cable into your interface, and get studio-quality acoustic amplification with minimal setup.

Who This Is For

Great for

  • Live Performance
  • Gigging
  • Studio Sessions
  • Folk
  • Acoustic amplification

Not the best pick for

  • Nylon-string acoustics
  • High-gain electric applications

Skill level: Beginner · Intermediate · Advanced · Professional

Frequently Asked Questions

What soundhole sizes does this pickup fit?

The SA-3SC is designed for soundholes between 3.75″ and 4.0″ (94–100mm), which covers the vast majority of steel-string acoustic guitars. Measure your soundhole before ordering to confirm compatibility.

Can I use this on a nylon-string classical guitar?

No. The SA-3SC is engineered specifically for steel-string acoustics and is not suitable for nylon-string instruments.

What's included in the box?

You get the pickup itself with walnut housing, a 14-foot studio-quality low-capacitance cable, mounting screws, springs, and wiring diagrams to guide installation.

How does the double-potted construction help?

Double potting is a potting technique that resists feedback and improves durability, allowing the pickup to handle both rehearsal volumes and stage use without unwanted noise or signal degradation.

Will this pickup change the natural tone of my acoustic?

The single coil design delivers a transparent, articulate signal that preserves your guitar's natural resonance and woody character rather than coloring the tone with piezo artifacts or harshness.

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