Seymour Duncan Humbucker ST59-1 Little 59 Lead Pickup For Tele

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Seymour Duncan Humbucker ST59-1 Little 59 Lead Pickup For Tele

In stock

SKU
11205-33
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Description

Seymour Duncan Humbucker ST59-1 Little '59 Lead Pickup For Tele

The ST59-1 Little '59 is a hybrid lead pickup engineered to capture vintage-voiced character with modern responsiveness in a compact humbucker format designed for Telecaster bridge positions. This ceramic-magnet design balances articulate highs with controlled lows, delivering a medium-output option that maintains clarity and definition when tracking through high-gain sources or layering in dense arrangements.

Recording Tone & Frequency Response

A 3.4 kHz resonant peak and 5/6/6 EQ voicing (Treble/Midrange/Bass) position this pickup as a lead-tracking tool with punchy midrange presence and smooth top-end response that sits well in the mix. The 17 k ohms DC resistance per coil and ceramic bar magnet configuration deliver medium output suitable for both classic rock and contemporary high-gain sessions without sacrificing note separation or definition in multitrack work.

Build & Studio Integration

Built in Santa Barbara, CA, this pickup features wax potting for squeal-free operation and a 4-conductor cable that supports split-coil and series/parallel wiring options for session flexibility. The black cover and compact humbucker footprint integrate seamlessly into Telecaster bridge cavities while maintaining compatibility with standard mounting hardware, allowing for quick swaps during tracking and overdub sessions.

Key Features

  • DC Resistance: 17 k ohms per coil
  • Resonant Peak: 3.4 KHz
  • EQ: 5/6/6 (Treble/Midrange/Bass)
  • Magnet Type: Ceramic Bar
  • Output Level: Medium
  • 4-conductor cable with full wiring flexibility
  • Wax potted construction eliminates microphonic feedback
  • Hybrid lead pickup design optimized for Telecaster bridge position
  • Made in Santa Barbara, California
  • Black cover finish

The ST59-1 combines vintage tonal character with practical lead-tracking performance, making it a capable choice for producers and engineers capturing articulate, controlled high-output responses on Telecasters.

More Information
Condition New
Country of Manufacture United States
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At a Glance

The Seymour Duncan ST59-1 Little '59 bridges vintage character and modern recording clarity in a Telecaster-ready format, with a punchy 3.4 kHz midrange peak that cuts through dense mixes. Medium output and ceramic construction preserve articulation and note separation during high-gain tracking, while the 4-conductor wiring lets you dial in series, parallel, or split-coil voicings to shape your tone in the mix. Wax potting eliminates microphonic noise—essential for clean layering and overdubs.

Who This Is For

Great for

  • Classic Rock
  • Hard Rock
  • Blues
  • Contemporary High-Gain

Not the best pick for

  • Folk
  • Jazz

Skill level: Intermediate · Advanced · Professional

Frequently Asked Questions

Will this pickup fit my Telecaster?

Yes, the ST59-1 Little '59 is engineered specifically for Telecaster bridge positions in a compact humbucker format. It uses standard mounting hardware and integrates seamlessly into Telecaster bridge cavities.

What genres and playing styles is this pickup best suited for?

This pickup excels in classic rock, hard rock, blues, and contemporary high-gain applications. Its articulate highs and punchy midrange make it ideal for lead playing; it is not recommended for folk or jazz styles.

How does the 4-conductor cable add flexibility?

The 4-conductor cable supports split-coil, series, and parallel wiring options, allowing you to customize the pickup's voicing and output to match your rig and tone preferences.

Will this pickup feedback or squeal at high volumes?

No, the pickup is wax potted to eliminate microphonic feedback, ensuring clean, squeal-free operation during high-volume live performances and studio sessions.

What is the output level and how does it compare to other pickups?

The ST59-1 has medium output at 17 k ohms DC resistance per coil. This balances clarity and definition with enough punch to drive high-gain amplifiers without losing note separation, positioning it between vintage-style and higher-output designs.

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