Schecter Solo-II SLS Elite Evil Twin guitar in Satin Black
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- SKU
- SCHECTER1338
- Color
- Black
. Description
Sound & Tone
The neck-through swamp ash body and 24.75" scale give this Solo-II a resonant, sustaining core with a slightly warm, thick attack, while the ebony fretboard and multi-ply maple/walnut/padauk neck tighten the response and keep note definition intact. The Fishman Fluence Modern humbuckers run active and noise-free, with a ceramic bridge that stays articulate under high gain and an alnico neck that rounds out lead and clean passages; the push-pull volume controls let you shift between voicings without swapping guitars. It sits naturally in modern metal, hard rock, and progressive playing, where the compound radius and X-Jumbo stainless frets support both fast lead runs and tight, percussive rhythm work.
Schecter Solo-II SLS Elite Evil Twin Electric Guitar
The Solo-II SLS Elite Evil Twin captures articulate, controlled tones in the studio with its Ultra Thin 'C' neck profile and 24.75" scale, enabling precise fretting technique and fast position changes during overdub sessions. This neck-through construction with Swamp Ash body generates solid sustain and harmonic resonance ideal for layered recording work while keeping the overall weight manageable for extended tracking days. Built new with full Schecter warranty coverage, this instrument arrives ready to record.
Playability & Construction
The Maple/Walnut/Padauk multi-ply neck with carbon fiber reinforcement rods maintains rock-solid intonation and neck stability across humidity changes common in studio environments, while the Ebony fretboard with 24 X-Jumbo stainless steel frets and 12"-16" compound radius accommodates both fingerstyle precision and aggressive strumming without buzzing. Schecter locking tuners and an Ernie Ball compensated nut lock in tuning between takes and maintain consistent pitch across the entire range.
Tone & Recording Performance
The Fishman Fluence Modern humbuckers—ceramic magnet in the bridge position and alnico in the neck—deliver touch-sensitive articulation with vanishingly low noise, critical for clean overdubs and detailed mixing. Push-pull volume controls enable quick tonal adjustment without leaving the tracking position, while the 9-volt clip-in battery compartment powers the active pickups for extended dynamic range and crystalline clarity in your DAW.
Key Features
- Neck-Through Construction with Ultra Access for streamlined upper-fret access
- Swamp Ash Body with Ivory binding and arched top contour
- Maple/Walnut/Padauk Multi-ply Neck with carbon fiber reinforcement rods
- Ultra Thin 'C' Neck Profile — .748" at 1st fret, .787" at 12th fret
- 24.75" Scale with 24 X-Jumbo stainless steel frets
- Ebony Fretboard with Roman numeral inlays and 12"-16" compound radius
- Fishman Fluence Modern Humbuckers (ceramic bridge/alnico neck) with active electronics
- Push-Pull Volume Controls with master tone control and 3-way pickup selector
- TonePros T3BT TOM Bridge with T1Z tailpiece and black hardware
- Ernie Ball Compensated Nut (1.653" width) with Schecter locking tuners
- 9-Volt Active Battery System for noise-free amplified tone
- 2-Way Adjustable Truss Rod with heel access for neck relief adjustment
This Solo-II SLS Elite Evil Twin combines premium construction materials, modern active electronics, and ergonomic refinement into a versatile recording instrument built for professional-grade tracking and mixing demands.
More Information
| Condition | New |
|---|---|
| Dexterity | Right handed |
| Neck Construction | Neck-Thru-Body |
| Country of Manufacture | South Korea |
Reviews
This guitar ships without a case
Add the matching hard caseSchecter SGR-SOLO-II Hardshell Case for Solo-II Guitars (Case Only)
20% off with this guitar: $207.20 $259.00
It ships inside the same box — and your guitar arrives protected.
Specifications
| Scale Length | 24.75" Scale |
|---|---|
| Frets | 24 Frets |
| Fretboard | Ebony |
| Neck Wood | Maple |
| Neck Construction | Neck-Thru-Body |
| Pickups | HH |
| Bridge | Tune-O-Matic / Stopbar |
| Strings | 6 |
| Orientation | Right handed |
| Model Year | 2024 |
| Made In | South Korea |
Who This Is For
Great for
- ✓ Metal
- ✓ Hard Rock
- ✓ Progressive
- ✓ Studio Sessions
- ✓ Touring
Not the best pick for
- – Folk
- – Traditional Jazz
- – Country
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What neck profile does the Solo-II SLS Elite Evil Twin have, and who is it best for?
The Ultra Thin 'C' profile measures 0.748" at the 1st fret and 0.787" at the 12th fret, engineered for speed and precision without hand fatigue. It rewards intermediate to advanced players tackling technical metal, hard rock, and progressive material, especially those who spend extended time in upper frets.
What pickup configuration and active electronics does this guitar use?
The Solo-II pairs Fishman Fluence Modern Humbuckers—ceramic in the bridge and alnico in the neck—with a 9-volt active battery system that delivers touch-responsive articulation, minimal noise, and extended dynamic range. Push-pull volume controls and a 3-way selector enable real-time tonal shaping during play or recording.
How does the neck-through construction and carbon fiber reinforcement affect durability and tuning stability?
Neck-through construction provides superior sustain and upper-fret access, while the Maple/Walnut/Padauk multi-ply neck with carbon fiber reinforcement rods resists warping across temperature and humidity shifts. Combined with Schecter locking tuners and the TonePros T3BT TOM bridge, intonation remains stable through long touring runs and session work.
What fretboard specifications support fast, clean playing?
The Ebony fretboard features 24 X-Jumbo stainless steel frets with a 12" to 16" compound radius, supporting smooth legato work and aggressive rhythm playing without string buzz. The Ernie Ball compensated nut ensures precise intonation across all strings from setup onward.
What genres and playing styles is this guitar optimized for?
The Solo-II SLS Elite Evil Twin is designed for metal, hard rock, progressive, studio sessions, and touring. Its articulate tone, tight low end, and noise-free active electronics make it less suitable for folk, traditional jazz, or country applications.
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