Sabian HHX OMNI Drum Set 22 Inch Ride Cymbal - 122OMX
- Style: Modern
- Metal:B20
- Sound:Dark
- Weight:Medium Bell,Extra Thin Edge
In stock
Only 1 left
- SKU
- 122OMX
Description
Sabian HHX OMNI 22 Inch Ride Cymbal (122OMX)
The HHX OMNI 22 delivers dual-surface playability that rewards both center and shoulder strikes with distinctly different sonic character. Designed in collaboration with renowned drummer Jojo Mayer, this ride produces nuanced tonal complexity that cuts through a mix without sacrificing musicality. The cymbal's responsive edge and controlled bell make it equally effective in studio overdubs and live tracking sessions.
Tone & Character
A dark sound profile combined with the dual-surface design creates uncommon versatility—the medium un-lathed center produces a defined, cutting tone ideal for traditional ride work, while the thin outer area offers washy, atmospheric wash characteristics. This contrast allows recording sessions to capture textural nuance and sonic layering within a single cymbal, reducing the need for cymbal swaps mid-session.
Construction & Response
Cast from B20 bronze with a medium bell and extra thin edge, the cymbal balances projection with sensitivity to stick dynamics. The thin edge responds quickly to articulate playing and microphone capture, while the medium bell provides enough mass for controlled sustain and definition on accented notes, translating cleanly to tape or DAW.
Key Features
- 22-inch diameter
- B20 bronze alloy
- Dark sound character
- Modern style cymbal
- Medium bell weight
- Extra thin edge
- Medium un-lathed center playing surface
- Thin outer edge playing surface
- Two distinct playing surfaces for tonal variety
- Model SKU 122OMX
The HHX OMNI 22 stands out for its intentional sonic duality, delivering genuine textural options in the control room without reaching for a second cymbal during recording or mix-supporting overdubs.
More Information
| Condition | New |
|---|---|
| Cymbal Size | 22" |
| Cymbal Type | Ride |
| Country of Manufacture | Canada |
Reviews
At a Glance
The Sabian HHX OMNI 22 Inch Ride delivers two distinct tonal characters from one cymbal: a defined, cutting center tone for punch and a washy outer surface for textural depth and color. Its B20 bronze construction and responsive edge capture articulate playing dynamics while the medium bell provides controlled sustain, making it ideal for recording sessions where you need versatility without overdubbing multiple cymbal tracks. Perfect for producers and engineers tracking jazz, progressive, and studio-focused drummers who demand both definition and atmospheric shaping.
Who This Is For
Great for
- ✓ Live Performance
- ✓ Studio Sessions
- ✓ Jazz
- ✓ Progressive
Not the best pick for
- – Punk
- – Thrash Metal
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What is the difference between striking the center and the edge of this cymbal?
The medium un-lathed center produces a defined, cutting tone ideal for traditional ride work and stick definition. The thin outer area offers washy, atmospheric wash characteristics, giving you two distinct sonic options from a single 22-inch cymbal without needing a second instrument.
Is this cymbal suitable for my genre?
The HHX OMNI 22 is designed for jazz, progressive, studio sessions, and live performance. It is not recommended for punk or thrash metal styles, where darker, more controlled responses may not deliver the aggression those genres typically demand.
What skill level do I need to get the most from this cymbal?
This cymbal is best suited for intermediate, advanced, and professional drummers who can fully exploit its dual-surface playability and respond to its nuanced tonal complexity. It rewards dynamic control and intentional stick placement across different playing areas.
How does the B20 bronze and thin edge construction affect the feel?
The B20 bronze combined with the extra-thin edge produces quick, articulate response to stick dynamics while the medium bell provides enough mass for controlled sustain and definition on accented notes. This balance allows sensitive playing without losing projection in a mix.
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