Laney Black Country Customs Monolith Distortion Pedal BCC-MONOLITH
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- SKU
- BCC-MONOLITH
Description
Laney Black Country Customs Monolith Distortion Pedal BCC-MONOLITH
The Laney Black Country Customs Monolith is a compact distortion pedal that delivers three distinct voicings with dead-silent switching and solid metal construction. Three tonal modes capture everything from heavily compressed saturation to articulate overdrive tones, making it a session essential for recording guitarist layers, rhythmic textures, and lead overdubs across multiple session styles.
Design & Build
Built with a solid metal chassis, the Monolith measures 59 mm (H) × 74 mm (W) × 121 mm (D) and weighs just 0.38 kg, fitting seamlessly into compact recording setups and pedalboard configurations. The white and red finish provides clear visual identification during session work, while the tri-color LED and dead-silent switching with buffered bypass ensure transparent signal path integration and clean take-to-take consistency without audible relay clicks or pops.
Tone & Electronics
Three distinct modes—heavily compressed distortion, overdrive distortion, and soft compressed distortion—are selectable via a 3-position Mode switch (D1, D2, Overdrive), letting you quickly switch recording tones mid-session without patch-cable swaps. Independent Distortion, Volume, Range, and Tone controls enable precise shaping of each mode for blending into existing mix elements, matching amp cabinets, or stacking with other effects in your signal chain.
Key Features
- Three distortion modes: D1 (heavily compressed distortion), D2 (overdrive distortion), and Overdrive (soft compressed distortion)
- Four independent controls: Distortion, Volume, Range, and Tone
- On/off footswitch
- 1/4" jack input and output connectors
- 3-position Mode switch for mode selection
- Tri-color LED indicator
- Dead-silent switching with buffered bypass
- Solid metal chassis construction
- Compact dimensions: 59 mm (H) × 74 mm (W) × 121 mm (D)
- Lightweight at 0.38 kg
- White and Red finish
- Powered by 9V battery (supplied) or optional 9V DC PSU
The Monolith captures studio-quality distortion tones in a pedalboard-friendly format, combining reliable construction with versatile sound-shaping for fast session tracking and overdub recording.
More Information
| Condition | New |
|---|---|
| Country of Manufacture | United Kingdom |
Reviews
At a Glance
The Laney Monolith delivers three distinct distortion modes with independent Distortion, Volume, Range, and Tone controls, giving producers and engineers flexible options for tracking heavy guitar parts or layering aggressive tones in the mix. Its heavily compressed, responsive character sits well in dense arrangements, and the selectable voicings let you shape aggression without sacrificing clarity. Built tough and dead-silent switching ensure reliable tracking sessions without unwanted noise artifacts.
Who This Is For
Great for
- ✓ Hard Rock
- ✓ Metal
- ✓ Rock
- ✓ Gigging
Not the best pick for
- – Jazz
- – Folk
- – Worship
Skill level: Beginner · Intermediate · Advanced · Professional
Frequently Asked Questions
What are the three distortion modes on the Monolith?
D1 delivers heavily compressed distortion, D2 offers overdrive distortion, and Overdrive provides soft compressed distortion. Each mode is selectable via the 3-position Mode switch and can be shaped independently using the Distortion, Volume, Range, and Tone controls.
Is this pedal suitable for styles other than hard rock and metal?
The Monolith is optimized for hard rock, metal, and rock genres. Jazz, folk, and worship styles are outside its design focus; lighter overdrive pedals may better suit those applications.
How is it powered, and will it work on a pedalboard?
The pedal runs on a supplied 9V battery or an optional 9V DC PSA. At just 59 mm high, 74 mm wide, 121 mm deep, and 0.38 kg, it fits easily into tight pedalboard spaces without compromising build quality.
Does the pedal have bypass switching, and is it silent?
Yes, the Monolith features dead-silent switching with buffered bypass, so you can engage and disengage without clicks or pops during live performance or recording.
What controls are available for shaping tone?
Four independent controls—Distortion, Volume, Range, and Tone—let you fine-tune each mode to match your signal chain and playing style. The Range control adds an extra dimension not found on many budget distortion pedals.
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