Laney Black Country Custom DIGBETH, Bass Pre Amplifier Pedal, Nathan E
- Brand new in original box
- Full Laney manufacturer's warranty
- Free shipping in the continental US
In stock
- SKU
- BCC-DB-EAST-PRE
Description
Laney Black Country Custom DIGBETH Nathan East Signature Bass Pre-Amplifier Pedal
The DB-EAST-PRE is a compact bass preamp designed for studio-centered recording and mixing workflows. Built into a pedalboard-friendly footprint measuring just 2.6" × 7.8" × 5.6", this handcrafted unit from Black Country Customs delivers professional tone shaping and DI conversion without requiring external hardware. The dual-channel design—combining foot-switchable FET and Tube channels with comprehensive EQ control—allows you to capture distinct character across tracking sessions or print multiple tonal variations of a single performance. Use it as your primary bass signal processor for USB recording, silent session work, or feeding a console with studio-grade direct output.
Signal Path & Connectivity
Two independent 1/4" instrument inputs let you track different bass tones without replugging, while Input 2 features a trim pot for precise level matching across instruments with varying output levels. The balanced XLR DI output includes switchable ground lift and selectable source mode—pre, post, and LA-IR emulation—enabling clean recording directly into your interface or console. Additional I/O includes dedicated tuner, FX send/return, headphone, and USB-C outputs; USB Class-compliant audio streaming at 48 kHz integrates seamlessly into most DAWs, while the LA-IR app provides further tonal refinement during mixing and post-production.
Recording Tone & Channel Design
The FET channel captures transparent, uncolored bass dynamics ideal for sessions requiring pristine tonal accuracy. The Tube channel features selectable gain characteristics with three different voicing options, allowing you to print warmth and sustain character directly into your recordings. Full EQ control spans Bass, Lo-mid with switchable Q and operating frequency, Hi-mid, Treble, and Tilt controls—all with +/− level adjustment to sculpt frequency response before capture. The Tube Range control and integrated FX loop enable in-line effect placement during tracking, while dedicated footswitches manage channel selection, bypass/mute, and input switching with LED status indicators for live session control.
Key Features
- Foot-switchable FET and Tube channels with independent volume controls
- Tube channel with selectable gain characteristics offering 3 different voicing modes
- EQ: Bass, Lo-mid (switchable Q and operating frequency), Hi-mid, Treble, and Tilt controls with +/− level adjustment
- Dual 1/4" instrument inputs with Input 2 trim pot for precise level matching
- Integrated FX loop with dedicated FX send and return jacks
- Balanced XLR DI output with switchable ground lift and source mode (pre, post, LA-IR)
- USB-C Class-compliant audio interface streaming at 48 kHz with LA-IR app access
- Dedicated 1/4" tuner output and 3.5mm stereo headphone output
- 12V DC regulated power supply (not included); 6-watt consumption
- Compact pedalboard form factor: 67 × 199 × 143mm, 1.1 kg
- Handcrafted in the UK at Black Country Customs workshop
- Three footswitches with LED indicators for bypass/mute, channel selection, and input switching
This pedal serves as a complete bass recording and mixing interface, handling preamp tone, DI conversion, and multi-channel flexibility in a single studio-ready processor.
More Information
| Condition | New |
|---|
Reviews
At a Glance
The Laney Black Country Custom DIGBETH is a studio-ready bass preamp pedal that captures both transparent FET character and warm tube coloration, making it ideal for recording sessions where you need multiple tonal personalities in one box. The studio-grade DI output with switchable source modes (pre, post, LA-IR emulation) feeds your DAW or console with polished, console-ready signal, while the integrated USB-C audio interface and LA-IR app access let you track directly into your computer at 48 kHz. Comprehensive EQ shaping—including switchable Q and frequency controls on the lo-mid band—gives you surgical precision for shaping your bass tone within a mix, backed by an FX loop for seamless effect placement.
Who This Is For
Great for
- ✓ Studio Sessions
- ✓ Live Performance
- ✓ Home Recording
- ✓ Gigging
Not the best pick for
- – Practice
- – First Serious Guitar
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What's included in the box and what are the main connectivity options?
The pedal includes dual 1/4" instrument inputs (with Input 2 trim pot for level matching), balanced XLR DI output with ground lift and source mode selection, tuner output, headphone output, FX send/return loop, and USB-C audio interface. It runs on a 12V DC regulated power supply consuming 6 watts.
Can I use this pedal for recording, or is it only for live sound?
The DIGBETH works seamlessly in both environments. For recording, use the balanced XLR DI with switchable source modes or the USB-C Class-compliant audio interface at 48 kHz; for live sound, feed the XLR output directly to a mixing console or use the headphone output for silent monitoring.
What's the difference between the FET and Tube channels?
The FET channel delivers transparent amplification with minimal coloration, while the Tube channel adds warm, natural saturation and includes three selectable gain characteristics for different voicing options. Both channels have independent volume controls and full EQ access.
How much EQ control do I get, and can I shape the low end?
You get full EQ control with Bass, Lo-mid (with switchable Q and operating frequency), Hi-mid, Treble, and Tilt controls, all with +/- level adjustment. This comprehensive set gives you tight low-end control and surgical midrange shaping for both live and studio applications.
Is this pedal suitable for intermediate or advanced players?
Yes; the pedal is designed for intermediate, advanced, and professional players. Its dual-channel architecture and comprehensive EQ offer genuine tone-sculpting depth without unnecessary complexity, making it ideal for gigging musicians, session bassists, and studio work.
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