AKG C414 XLS Reference Multipattern Condenser Microphone
Description
AKG C414 XLS Reference Multipattern Condenser Microphone
The C414 XLS is a large-diaphragm 1" condenser microphone engineered for highest linearity and neutral sound, making it equally effective capturing intimate vocal takes or aggressive drum and amp sources. Built in Hungary to the exacting standards that have defined the C414 line since 1971, this microphone delivers beautifully detailed recordings with minimal coloration across its full audio spectrum—a studio workhorse that translates well across mixing environments.
Recording Performance & Sonic Clarity
The C414 XLS pairs exceptional dynamic range with maximum headroom, handling everything from breathy double-tracked vocals to close-miced snare and tom work without distortion or loss of detail. The 140 dB maximum SPL at 0 dB attenuation extends to 158 dB SPL with the -18 dB pad engaged, while a low self-noise floor of 6 dBA ensures clean recordings when tracking quieter sources. Three switchable bass-cut filters at 40 Hz, 80 Hz, and 160 Hz address rumble and proximity effect directly during tracking, reducing post-recording cleanup work.
Session Flexibility & Mic Placement Control
Nine selectable polar patterns—cardioid, wide-cardioid, hypercardioid, omnidirectional, figure-8, and four intermediate positions—let you dial in rejection and room isolation on the fly during sessions. Three attenuation pads (-6, -12, -18 dB) handle proximity recordings and high-output sources without overload, while a peak-hold LED with audio overload warning tracks transient peaks in real time for consistent, reliable gain staging.
Key Features
- Multipattern FET condenser with 1" capsule
- Frequency range: 20 - 20,000 Hz
- Maximum SPL: 140 dB (0 dB) to 158 dB (−18 dB attenuation)
- Dynamic range: 140 dB(SPL)
- Self-noise: 6 dBA
- Nine selectable polar patterns including cardioid, hypercardioid, omnidirectional, and figure-8
- Three attenuation pads (−6, −12, −18 dB)
- Three switchable bass-cut filters (40 Hz, 80 Hz, 160 Hz)
- Transformerless XLR output with balanced 3-pin male connector
- 48V phantom power required (4.5 mA consumption)
- Includes H85 shockmount, PF 80 pop filter, W414 windscreen, and aluminum carrying case
- Manufactured in Hungary; weight 300g
The AKG C414 XLS remains the most versatile reference-grade condenser available for studio vocals, acoustic instruments, room miking, and multi-purpose tracking across genres and sessions.
More Information
| Condition | New |
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At a Glance
The AKG C414 XLS is a professional large-diaphragm multipattern condenser engineered for transparent, detailed recordings across vocals, instruments, and room mics. Nine polar patterns and three bass-cut filters let you shape the mic's character to your source and room without EQ; three attenuation pads handle everything from close-proximity singing to blasting snare without distortion. Its pristine 6 dBA self-noise floor and linear frequency response make it a go-to choice for mixing engineers who want a mic that sits cleanly in any session.
Who This Is For
Great for
- ✓ Studio Sessions
- ✓ Live Performance
- ✓ Home Recording
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What polar patterns does the C414 XLS offer?
Nine selectable patterns: cardioid, wide-cardioid, hypercardioid, omnidirectional, figure-8, and four intermediate positions. This range lets you dial in the exact pickup pattern for your room and source—from tight rejection on stage to ambient capture in the studio.
Can it handle loud sources like drums and live vocals without clipping?
Yes. The C414 XLS has a maximum SPL of 140 dB at 0 dB attenuation and extends to 158 dB SPL with the −18 dB pad engaged, plus three switchable pads (−6, −12, −18 dB) for close-proximity and high-output sources. A peak-hold LED with audio overload warning helps you catch transient peaks in real time.
What comes in the box?
The microphone includes an H85 shockmount, PF 80 pop filter, W414 windscreen, and aluminum carrying case. You'll need a 48V phantom power supply, which most audio interfaces and mixers provide.
How does the C414 XLS compare to the Neumann U87 or Shure KSM9?
All three are professional reference condensers with large diaphragms and multipattern capability. The C414 XLS stands out for its nine polar patterns (versus fewer on some competitors) and its switchable bass-cut filters, which reduce proximity effect and rumble without external processing. Choose based on your preferred sonic character and the specific polar patterns you need for your workflow.
What is the self-noise floor, and why does it matter?
The C414 XLS has a self-noise floor of 6 dBA, which is low enough to capture whispered vocals and delicate instruments without audible hiss. This clean noise floor is essential for studio sessions where you're recording quiet sources or expect to do heavy compression and reverb in the mix.
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