SCHECTER1397 vs SCHECTER2876 — Compare

Schecter SLS Evil Twin-5 LH bass in Satin Black vs Schecter Charles Berthoud CB-6 LH bass in Natural Satin

The SLS Evil Twin-5 is a 5-string with modern Fishman electronics and a 35" scale designed for tight lows and modern studio/live work, while the Charles Berthoud CB-6 is a 6-string with classic EMG electronics and a 34" scale built for jazz-forward versatility. Choose the Evil Twin-5 if you want cutting-edge tone shaping and extended low-end; choose the CB-6 if you prefer traditional EMG character and the extra sixth string.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

Schecter SLS Evil Twin-5 LH bass in Satin Black

$1,699.00
View Schecter SLS Evil Twin-5 LH bass in Satin Black

Schecter Charles Berthoud CB-6 LH bass in Natural Satin

$1,649.00
View Schecter Charles Berthoud CB-6 LH bass in Natural Satin

Specs side by side

Schecter SLS Evil Twin-5 LH bass in Satin BlackSchecter Charles Berthoud CB-6 LH bass in Natural Satin
Price$1,699.00$1,649.00
BrandSchecterSchecter
Body TypeSolid
Scale35" Scale35" Scale
Strings56
Frets24 Frets24 Frets
FretboardEbonyRosewood
NeckMaple
Neck ConstructionNeck-Thru-BodyNeck-Thru-Body
Pickup ConfigurationActive HH
BridgeString-Through Body
Year2019Unknown
ConditionNewNew

Why choose Schecter SLS Evil Twin-5 LH bass in Satin Black

  • 35-inch scale captures deeper, tighter low frequencies
  • Fishman Fluence pickups with 3-way voicing switch and coil splitting unlock multiple tonal palettes in one instrument
  • 2-band active EQ with dedicated pickup blend offers surgical control
  • Neck-thru construction with thin C contour minimizes hand fatigue during extended sessions

Why choose Schecter Charles Berthoud CB-6 LH bass in Natural Satin

  • 6-string configuration adds one extra semitone of range
  • Dual EMG 45HZ passive pickups with EMG B64 active preamp deliver classic, responsive articulation
  • 3-band EQ system provides more detailed frequency control than 2-band
  • 34-inch scale and 20-inch radius feel more comfortable for players transitioning from 4-string or traditional jazz applications
Bottom line: Buy the SLS Evil Twin-5 if you prioritize modern tone-shaping technology and deeper low-end punch for studio and progressive work. Buy the Charles Berthoud CB-6 if you want a sixth string, traditional EMG warmth, and a more familiar scale for jazz and funk.

Frequently asked questions

Which bass has the deeper low end?

The SLS Evil Twin-5, with its 35-inch scale versus the CB-6's 34-inch scale, delivers tighter, more focused sub-lows. The longer scale also increases string tension, supporting aggressive playing styles.

What's the main difference in electronics?

The Evil Twin-5 uses modern Fishman Fluence soapbars with 3-way voicing and push-pull coil splitting for sculpted tonal options, while the CB-6 pairs passive EMG 45HZ pickups with an active EMG B64 preamp for classic, responsive character. The CB-6's 3-band EQ offers more granular control than the Evil Twin-5's 2-band.

Which is better for jazz or traditional funk?

The Charles Berthoud CB-6 is recommended for jazz and funk, pairing traditional EMG voicing with a 34-inch scale and 20-inch radius that feel familiar to jazz players. The Evil Twin-5 suits progressive and studio contexts where modern voicing flexibility is valued.

Do both have left-hand options?

Yes, both the SLS Evil Twin-5 and the Charles Berthoud CB-6 are available in left-handed configurations, each with neck-thru construction for superior sustain and playability.

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