SCHECTER1397 vs SCHECTER2876 — Compare
Schecter SLS Evil Twin-5 LH bass in Satin Black vs Schecter Charles Berthoud CB-6 LH bass in Natural Satin
The Evil Twin-5 is a specialized 5-string with advanced Fishman electronics and a 35" scale for extended range and modern versatility, while the CB-6 is a traditional 6-string with passive EMG pickups and a 34" scale offering broader string options and classic tone. Choose the Evil Twin-5 if you need a compact extended-range instrument with cutting-edge electronics; choose the CB-6 if you want a more conventional 6-string platform with warm, responsive passive-active hybrid tone.
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Schecter SLS Evil Twin-5 LH bass in Satin Black
Schecter Charles Berthoud CB-6 LH bass in Natural Satin
Specs side by side
| Schecter SLS Evil Twin-5 LH bass in Satin Black | Schecter Charles Berthoud CB-6 LH bass in Natural Satin | |
|---|---|---|
| Price | $1,699.00 | $1,649.00 |
| Brand | Schecter | Schecter |
| Series | Schecter SLS Evil Twin | Schecter Charles Berthoud |
| Body Type | Solid | — |
| Scale | 35" Scale | 35" Scale |
| Strings | 5 | 6 |
| Frets | 24 Frets | 24 Frets |
| Fretboard | Ebony | Rosewood |
| Neck | Maple | — |
| Neck Construction | Neck-Thru-Body | Neck-Thru-Body |
| Pickup Configuration | — | Active HH |
| Bridge | String-Through Body | — |
| Year | 2019 | Unknown |
| Condition | New | New |
Why choose Schecter SLS Evil Twin-5 LH bass in Satin Black
- ✓ 35-inch scale provides extended low-end range and articulation for progressive and modern styles
- ✓ Fishman Fluence pickups with 3-way voicing switch and coil splitting offer multiple tonal palettes in one instrument
- ✓ Neck-thru construction with thin C contour and ebony fingerboard optimizes playability for extended position work
- ✓ Swamp ash body delivers natural resonance and superior cut through a mix in studio and live settings
Why choose Schecter Charles Berthoud CB-6 LH bass in Natural Satin
- ✓ 6-string configuration gives you two additional note options compared to a 5-string
- ✓ Dual EMG 45HZ pickups with 3-band active EQ provide warm, responsive tone suited to jazz and funk
- ✓ 34-inch scale is more familiar and comfortable for players transitioning from standard basses
- ✓ Graph Tech Black TUSQ XL nut and premium hardware ensure excellent intonation stability and tuning retention
Frequently asked questions
What's the practical difference between a 5-string and 6-string for my playing?
The Evil Twin-5 gives you a low B string (extended low range) in a compact, lighter package ideal for modern and progressive music. The CB-6 gives you a high C string on top, offering more melodic options and is more familiar to players coming from standard 4-string basses or those who play jazz and traditional styles.
How do the pickups and electronics differ tonally?
The Evil Twin-5 uses Fishman Fluence Bass Soapbars with a 3-way voicing switch and coil splitting for modern, articulate versatility and cutting tone. The CB-6 uses passive EMG 45HZ pickups with an active 3-band EQ, delivering warmer, more responsive tone that works especially well in jazz and funk contexts.
Which is better for studio recording?
Both excel in the studio. The Evil Twin-5 offers more tonal shaping options through its Fishman electronics and is optimized for cutting through dense mixes, making it ideal for progressive and modern genres. The CB-6's warm passive-active tone and six-string range give you broader melodic options and work beautifully in jazz, funk, and traditional recording sessions.
Are there any genres where one is clearly not ideal?
The Evil Twin-5 is noted as not ideal for drop tunings, while the CB-6 is not ideal for punk. This suggests the Evil Twin-5 prioritizes modern versatility over heavy downtuning, and the CB-6's design philosophy leans toward traditional and jazz-influenced playing rather than punk's raw simplicity.