SCHECTER1348 vs SCHECTER2876 — Compare
Schecter C-1 FR S SLS Elite Evil Twin guitar in Satin Black vs Schecter Charles Berthoud CB-6 LH guitar in Natural Satin
The C-1 FR S SLS Elite is a 7-string guitar engineered for metal and progressive rock with advanced sustainiac technology, while the Charles Berthoud CB-6 LH is a left-handed bass designed for jazz, funk, and studio work. These are fundamentally different instruments—one is a high-gain guitar for technical extended-range playing, the other is a bass for groove-oriented ensemble contexts.
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Schecter C-1 FR S SLS Elite Evil Twin guitar in Satin Black
Schecter Charles Berthoud CB-6 LH guitar in Natural Satin
Specs side by side
| Schecter C-1 FR S SLS Elite Evil Twin guitar in Satin Black | Schecter Charles Berthoud CB-6 LH guitar in Natural Satin | |
|---|---|---|
| Price | $1,699.00 | $1,649.00 |
| Brand | Schecter | Schecter |
| Series | Schecter C-1 | — |
| Body Type | Solid | — |
| Scale | 25.5" Scale | 35" Scale |
| Strings | 6 | 6 |
| Frets | 24 Frets | 24 Frets |
| Fretboard | Ebony | Rosewood |
| Neck | Maple | — |
| Neck Construction | Neck-Thru-Body | Neck-Thru-Body |
| Pickup Configuration | — | Active HH |
| Bridge | Floyd Rose Licensed | — |
| Year | 2019 | Unknown |
| Condition | New | New |
Why choose Schecter C-1 FR S SLS Elite Evil Twin guitar in Satin Black
- ✓ 7-string extended range with dual-voice Fishman Fluence bridge pickup for metal and progressive genres
- ✓ Sustainiac neck pickup with three modes (Fundamental, Mix, Harmonic) for infinite sustain and creative soundscaping
- ✓ Ultra-thin C-profile neck (.748"–.787") with carbon fiber reinforcement optimizes fast technical fretwork
- ✓ Swamp ash body with ebony fingerboard and 24 X-Jumbo frets built for aggressive, articulate high-output tone
Why choose Schecter Charles Berthoud CB-6 LH guitar in Natural Satin
- ✓ Left-handed 6-string bass configuration with 34-inch scale ideal for jazz, funk, and studio session work
- ✓ Dual EMG 45HZ pickups with active B64 preamp and 3-band EQ deliver articulate, punchy highs and deep lows
- ✓ Neck-through ash body with walnut/padauk construction and dual carbon fiber rods ensure rock-solid sustain and stability
- ✓ Lightweight, ergonomic thin C-shaped neck and Graph Tech Black TUSQ XL nut support precise intonation and responsive playing
Frequently asked questions
Why are these being compared when one is a guitar and one is a bass?
They are both premium Schecter neck-through instruments in the high price tier, so buyers researching one product line may encounter both. However, they serve entirely different musical roles—guitar versus bass—and player choice depends on whether you need a lead instrument or a bass instrument.
What is the Sustainiac and why does only the guitar have it?
The Sustainiac is a speciality bridge pickup that generates infinite sustain and harmonic overtones—a feature used in lead guitar playing for metal and progressive styles. Bass instruments do not require this technology, as they prioritize low-end clarity and groove pocket instead.
Can I use the bass for metal or the guitar for jazz?
The guitar is designed for 7-string extended-range metal and progressive rock, making it a poor fit for traditional jazz voicings. The bass is optimized for groove and ensemble contexts, not lead lines. Each is purpose-built for its respective genre and role.
Does the left-handed bass configuration matter?
Yes—the Charles Berthoud CB-6 LH is specifically built for left-handed players. If you play left-handed bass, this is a rare high-end option; if you play right-handed, you need a different model.