BCC-SUPERGRACE vs IRF60-112 — Compare

Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature vs Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier

The Black Country SuperGrace is a pedalboard-friendly stompbox amp optimized for hard rock and alternative with dual footswitchable channels and USB streaming, while the Laney IRF60-112 is a traditional 1×12 combo emphasizing tube feel and analogue purity across six distinct voicings for blues and rock. Choose the SuperGrace for portable, modern rigs with digital connectivity; choose the Laney for players prioritizing organic tube response and studio recording in a classic combo format.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature

$629.99
View Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature

Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier

$599.99
View Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier

Specs side by side

Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signatureLaney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier
Price$629.99$599.99
BrandLaneyLaney
ConditionNewNew

Why choose Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature

  • Stompbox format fits on pedalboards for maximum portability
  • USB-C audio streaming at 48 kHz for direct recording
  • Footswitchable pre-boost and dual-channel selection with bright switch
  • Embedded LA-IR speaker emulation with multiple impulse response options

Why choose Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier

  • Pure analogue signal path with six distinct channel voicings for tonal range
  • Dynamic tube response and picking sensitivity traditional players expect
  • 1×12 combo format includes built-in speaker for immediate use without external cab
  • Independent 3-band tone stacks per channel for granular EQ shaping
Bottom line: Buy the SuperGrace if you need maximum portability, modern connectivity, and hard-rock aggression on a pedalboard. Buy the Laney if you prioritize tube feel, organic harmonic response, and a self-contained combo for studio and gigging without digital processing.

Frequently asked questions

Which amp is better for blues and jazz?

The Laney IRF60-112 is better suited to blues with its warm organic breakup and tube-responsive character. It explicitly includes a Dark voicing designed for jazz applications, whereas the Black Country SuperGrace is optimized for hard rock and alternative and not recommended for jazz.

Can I record directly with either amp?

Yes, both include balanced XLR DI outputs with embedded speaker emulation (LA-IR technology). The SuperGrace adds USB-C audio streaming at 48 kHz for additional recording flexibility, while the Laney relies on analogue XLR output only.

Which is more portable for gigging?

The Black Country SuperGrace is significantly more portable due to its stompbox format small enough for a pedalboard. The Laney IRF60-112 is a traditional 1×12 combo that requires a separate transport case or stand, though it includes an onboard speaker so no external cabinet is needed.

How do the tonal philosophies differ?

The SuperGrace uses all-analogue circuitry optimized for articulate cleans and high-gain aggression with British warmth and modern connectivity. The Laney prioritizes pure analogue tube response with no digital processing, delivering dynamic picking sensitivity and harmonic saturation characteristic of traditional tube amps.

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