BCC-SUPERGRACE vs IRF60-112 — Compare
Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature vs Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier
The Black Country SuperGrace is a pedalboard-format stompbox amp emphasizing modern connectivity and dual-channel flexibility for rock and alternative players, while the Laney IRF60-112 is a traditional 1×12" combo prioritizing pure tube response and analogue character for blues and rock purists. Choose the SuperGrace for portability and live rig integration; choose the Laney for authentic tube feel and studio simplicity.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature
Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier
Specs side by side
| Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature | Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier | |
|---|---|---|
| Price | $629.99 | $599.99 |
| Brand | Laney | Laney |
| Condition | New | New |
Why choose Black Country Custom Loudpedal SuperGrace 60-watt, Billy Corgan signature
- ✓ Stompbox format fits on pedalboards; portable standalone or as part of larger rigs
- ✓ Dual-channel with footswitchable pre-boost for live switching and aggression on demand
- ✓ Built-in digital routing: USB-C, balanced XLR DI with speaker emulation, aux input
- ✓ All-analog signal path with modern connectivity—rare combination in compact format
Why choose Laney IRF60-112 - 60W Ironheart Foundry 1×12" Analogue Combo Amplifier
- ✓ True tube amplifier with dynamic, touch-responsive feel traditional amps deliver
- ✓ Six distinct voicings across two channels (ASYM, CLEAN, SYM, Bright, Natural, Dark) for tonal range
- ✓ Pure analogue signal path throughout—no digital algorithms or modelling
- ✓ Built-in 1×12" speaker plus LA·IR direct output eliminates need for external cab
Frequently asked questions
Which amp is better for studio recording?
Both are studio-capable. The SuperGrace integrates USB-C and balanced XLR DI with impulse response options, designed for direct recording workflows. The Laney offers LA·IR direct output and a built-in speaker, providing immediate tone without external monitoring gear. Choose the SuperGrace for maximum I/O flexibility; choose the Laney if you prefer traditional tube miking or direct recording simplicity.
Can either amp work as a practice amp?
Yes. The SuperGrace's compact stompbox format with headphone jack works well for silent practice on a desktop. The Laney IRF60-112 combo is heavier but delivers full tube tone at conversation volumes and includes reverb for spatial feedback. The SuperGrace is more portable; the Laney sounds more organic at low volumes.
How do they handle high-gain and hard rock?
The SuperGrace is specifically voiced for high-gain aggression with its SUPERGROUP channel, dimed mode, and footswitchable pre-boost—designed for hard rock and alternative. The Laney's SYM mode and Bright voicing work for rock but emphasize organic breakup over extreme distortion, making it less ideal for thrash or djent. The SuperGrace is the stronger choice for maximum gain.
What's the key difference in signal path philosophy?
The SuperGrace combines all-analog circuitry with digital routing and speaker emulation for modern flexibility. The Laney is entirely analogue with no digital processing, relying on pure tube dynamics and passive EQ. Choose the SuperGrace for hybrid versatility; choose the Laney for uncompromised analogue character.