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Martin ELP 19 Degree Static Lens Tube for Ellipsoidal White B-Stock vs Martin ELP 50 Degree Static Lens Tube for Ellipsoidal White

The Martin ELP 19 Degree is a narrow-beam spot fixture for long-throw, precise isolation work, while the Martin ELP 50 Degree offers a wider beam for medium-throw applications and greater coverage. Choose the 19° if you need tight spotlighting over distance; choose the 50° if you need broader light spread and flexibility across varied throw distances.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

Martin ELP 19 Degree Static Lens Tube for Ellipsoidal White B-Stock

$397.44
View Martin ELP 19 Degree Static Lens Tube for Ellipsoidal White B-Stock

Martin ELP 50 Degree Static Lens Tube for Ellipsoidal White

$496.80
View Martin ELP 50 Degree Static Lens Tube for Ellipsoidal White

Specs side by side

Martin ELP 19 Degree Static Lens Tube for Ellipsoidal White B-StockMartin ELP 50 Degree Static Lens Tube for Ellipsoidal White
Price$397.44$496.80
BrandMartinMartin
YearUnknownUnknown
ConditionRefurbishedNew

Why choose Martin ELP 19 Degree Static Lens Tube for Ellipsoidal White B-Stock

  • ✓ Narrow 19-degree beam angle for precise spot isolation
  • ✓ Superior long-throw performance and maximum throw distance
  • ✓ B-stock pricing for budget-conscious buyers
  • ✓ Sharp image definition and crisp projection over extended distances

Why choose Martin ELP 50 Degree Static Lens Tube for Ellipsoidal White

  • ✓ Wider 50-degree beam angle for greater coverage area
  • ✓ Better suited for medium-throw applications and variable distances
  • ✓ Maintains crisp image projection while lighting larger areas
  • ✓ Ideal for fixed installations where beam spread matters more than extreme throw
Bottom line: Buy the 19° lens tube if your venue demands tight spotlighting, long-throw distances, and pinpoint beam control. Buy the 50° lens tube if you need broader coverage, medium throws, and more flexible lighting across your stage or venue without sacrificing optical quality.

Frequently asked questions

What's the practical difference between 19 and 50 degrees?

The 19° produces a much tighter, more concentrated beam ideal for spotting actors or objects at distance with sharp definition. The 50° spreads light across a wider area, making it better for general area lighting and medium-throw applications where you need broader coverage.

Which lens tube is better for theater spotlighting?

The 19° excels at precise spot isolation and long throws, making it the classic choice for follow-spot work and highlighting specific stage elements. The 50° works better for area washes and general theater lighting where you need wider, softer coverage.

Are both lens tubes compatible with my Martin ELP fixture?

Yes, both the 19° and 50° lens tubes are designed to work with Martin ELP and ELP IP ellipsoidal fixtures using the same mechanical locking system, so either will mount securely to your fixture.

Does the B-stock designation on the 19° mean lower optical quality?

No, B-stock typically indicates cosmetic or packaging imperfections, not optical performance. Both lenses deliver the same crisp image projection and superior output engineering; the 19° B-stock simply costs less.

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