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Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights vs Martin ELP 50 Degree Static Lens Tube for Ellipsoidal Lights
The Martin ELP 26° provides a narrower, more focused beam for mid-range throws and general theatrical applications, while the 50° delivers a wider wash with broader coverage for stage floods and shorter throws. Choose the 26° for venues requiring tighter beam definition; choose the 50° for wide-area washes and general ambient lighting.
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Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights
Martin ELP 50 Degree Static Lens Tube for Ellipsoidal Lights
Specs side by side
| Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights | Martin ELP 50 Degree Static Lens Tube for Ellipsoidal Lights | |
|---|---|---|
| Price | $465.30 | $494.10 |
| Brand | Martin | Martin |
| Year | Unknown | Unknown |
| Condition | New | New |
Why choose Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights
- ✓ 26-degree beam angle suits standard venue throws and balanced mid-range coverage
- ✓ Narrower focus delivers crisper image projection and better edge definition
- ✓ Versatile middle option in the four-degree lineup for general-purpose theatrical work
Why choose Martin ELP 50 Degree Static Lens Tube for Ellipsoidal Lights
- ✓ 50-degree wide beam angle maximizes coverage for stage washes and floods
- ✓ Excellent light uniformity across broader areas without tight focus requirements
- ✓ Faster setup for short-throw and wash applications requiring less precision aiming
Frequently asked questions
What throw distances suit each lens?
The 26° is engineered for standard mid-range throw distances, balancing focus and coverage. The 50° is optimized for shorter throws and wide-area applications where broad, uniform wash is the priority.
Are both lenses compatible with my Martin ELP fixture?
Yes, both the 26° and 50° lenses mount directly into Martin ELP and ELP IP ellipsoidal fixtures without modification or adapters, and both are part of the same interchangeable four-degree static lens family.
Which lens is best for projection and image sharpness?
The 26° is specifically highlighted for crisp image projection and superior edge definition, making it the better choice when precise, sharply-defined light beams are required.
Can I swap lenses between productions?
Yes, both lenses feature straightforward mechanical designs with no electronics, allowing intuitive and rapid lens swaps during active productions without tools or adapters.