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Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights vs Martin ELP 36 Degree Static Lens Tube for Ellipsoidal Lights

The Martin ELP 26° provides a narrower beam angle suited for longer throw distances and more focused coverage, while the Martin ELP 36° offers a wider beam spread ideal for shorter to mid-range throws requiring broader light distribution. Choose the 26° for venues requiring tighter spotting at distance; choose the 36° for standard mid-range theatrical applications with wider coverage needs.

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Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights

$465.30
View Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights

Martin ELP 36 Degree Static Lens Tube for Ellipsoidal Lights

$494.10
View Martin ELP 36 Degree Static Lens Tube for Ellipsoidal Lights

Specs side by side

Martin ELP 26 Degree Static Lens Tube for Ellipsoidal LightsMartin ELP 36 Degree Static Lens Tube for Ellipsoidal Lights
Price$465.30$494.10
BrandMartinMartin
YearUnknownUnknown
ConditionNewNew

Why choose Martin ELP 26 Degree Static Lens Tube for Ellipsoidal Lights

  • Narrower 26-degree beam angle for longer throw distances
  • More focused and concentrated light output
  • Better for tighter spotting and precision beam control
  • Positioned as versatile middle option in Martin's lineup

Why choose Martin ELP 36 Degree Static Lens Tube for Ellipsoidal Lights

  • Wider 36-degree beam angle for broader stage coverage
  • Better light gathering across medium-throw distances
  • Ideal for standard theater and live event applications
  • Balanced throw distance for typical venue configurations
Bottom line: Select the 26° lens tube if your venue requires longer throws and tighter beam focus; select the 36° if you need broader coverage and work with standard mid-range throw distances. Both are budget-friendly options compatible with Martin ELP and ELP IP fixtures.

Frequently asked questions

What is the practical difference in throw distance between these two lens tubes?

The 26° lens tube concentrates light for longer throw distances and more narrow spotting. The 36° lens tube spreads light wider, making it better suited for shorter to mid-range throws where broader stage coverage is needed. Your specific venue throw distance determines which angle is most appropriate.

Are both lens tubes compatible with the same fixtures?

Yes, both the 26° and 36° lens tubes are fully compatible with Martin ELP and Martin ELP IP ellipsoidal fixtures, allowing you to swap between them based on production needs.

Which lens tube should I choose for a standard theater stage?

The 36° lens tube is engineered specifically for standard mid-range theatrical applications and is described as providing balanced throw distance with excellent light gathering. The 26° works for theaters with longer throws or when tighter spotting is required.

Do both come in color options?

Yes, both the 26° and 36° lens tubes are available in black and white housing variants to match your existing rig aesthetic and fixture configuration.

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