90234000HU vs 90234015HU-B — Compare
Martin MAC Encore Performance Cold Light Moving Head vs Martin MAC Encore Performance Warm Light Moving Head B-Stock
The Cold Light (6000K) excels in camera-critical, electronic, and precision-programming environments with punchy brilliance and 11,600 lumens, while the Warm Light (3000K) is purpose-built for broadcast, theater, and live performance where skin-tone accuracy and whisper-silent tungsten emulation matter most. Choose Cold Light for high-output color mixing and automated sequences; choose Warm Light for naturalistic broadcast and theater work where spectral fidelity is non-negotiable.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
Martin MAC Encore Performance Cold Light Moving Head
Martin MAC Encore Performance Warm Light Moving Head B-Stock
Specs side by side
| Martin MAC Encore Performance Cold Light Moving Head | Martin MAC Encore Performance Warm Light Moving Head B-Stock | |
|---|---|---|
| Price | $12,199.50 | $9,666.00 |
| Brand | Martin | Martin |
| Year | Unknown | Unknown |
| Condition | New | Refurbished |
Why choose Martin MAC Encore Performance Cold Light Moving Head
- ✓ 11,600 lumens—1,000 lumens brighter, ideal for large venues and high-output requirements
- ✓ 6000K pure white baseline optimized for electronic production and camera work
- ✓ Dichroic filter wheel (6 filters) for faster, more dramatic color shifts
- ✓ CTO variable dimming (6000K to 2700K) adds warm-to-cool flexibility
Why choose Martin MAC Encore Performance Warm Light Moving Head B-Stock
- ✓ 9,200 lumens in a lighter 31 kg package—superior lumen-per-kg efficiency and portability
- ✓ 3000K tungsten emulation with CRI >90, CQS >90, TM-30 metrics—exceptional skin-tone and fabric rendition for broadcast/theater
- ✓ CMY color mixing system instead of fixed filters—smoother, more seamless color transitions
- ✓ Whisper-silent across all motorized functions including cooling, critical for broadcast and theater sound stages
Frequently asked questions
Which is better for broadcast and theater?
The Warm Light is purpose-engineered for broadcast and theater. Its 3000K tungsten emulation, CRI >90, and whisper-silent operation make it the standard choice for camera-critical and sound-stage environments where skin tones and naturalistic rendering are essential.
Which produces more light?
The Cold Light outputs 11,600 lumens versus the Warm Light's 9,200 lumens—a 1,000 lumen difference. The Cold Light is better for large venues, outdoor applications, or high-output color-wash requirements.
How do the color systems differ?
The Cold Light uses a dichroic filter wheel (6 fixed filters) optimized for punchy color shifts and electronic production. The Warm Light uses a CMY color mixing system that provides smoother, infinitely variable color transitions and more naturalistic tungsten emulation without green or magenta shifts.
Is portability a significant factor?
Yes. The Warm Light weighs 31 kg (68 lbs) and achieves an exceptional lumen-per-kilogram ratio, making it substantially more portable for touring. The Cold Light's weight is not specified but typically heavier fixtures sacrifice tour-proven portability.