3202H00300 vs 3322H00010 — Compare
AKG PT4500 Band 8 Reference Wireless Body-Pack Transmitter vs AKG PZM6 D High Performance Hemispherical Boundary Layer Microphone
The PT4500 is a wireless body-pack transmitter for sending audio from instruments or vocals to a receiver, while the PZM6 D is a stationary boundary microphone for capturing ambient sound or speech in fixed locations. Choose the PT4500 if you need wireless mobility for performers; choose the PZM6 D if you need to record speech, conferences, or ambient sound from a fixed position.
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AKG PT4500 Band 8 Reference Wireless Body-Pack Transmitter
AKG PZM6 D High Performance Hemispherical Boundary Layer Microphone
Specs side by side
| AKG PT4500 Band 8 Reference Wireless Body-Pack Transmitter | AKG PZM6 D High Performance Hemispherical Boundary Layer Microphone | |
|---|---|---|
| Price | $595.00 | $580.00 |
| Brand | AKG | AKG |
| Condition | New | New |
Why choose AKG PT4500 Band 8 Reference Wireless Body-Pack Transmitter
- ✓ Wireless transmission up to 100 meters line-of-sight for mobile performers
- ✓ 1220 selectable frequencies in Band 8 for flexible RF coordination in crowded environments
- ✓ Compact metal chassis built for touring and stage durability
- ✓ 120 dB-A SNR and 0.3% THD ensure transparent audio without coloration
Why choose AKG PZM6 D High Performance Hemispherical Boundary Layer Microphone
- ✓ Discreet hemispherical boundary design ideal for conference rooms and installations
- ✓ High 150 dB SPL maximum handles loud sources cleanly
- ✓ Switchable dual frequency response (rising or flat) adapts to different environments
- ✓ Low 74 dB-A self-noise floor keeps background hum minimal
Frequently asked questions
Can I use these together in a system?
Yes—the PT4500 transmitter could receive audio from a microphone like the PZM6 D connected to a wired source, but the PZM6 D is a microphone, not a transmitter, so it would need to be wired into an audio interface or mixer rather than paired directly with the PT4500.
Which is better for live vocal performance?
The PT4500 is designed for this—it's a body-pack transmitter for performers. The PZM6 D is explicitly not ideal for vocal performance; it's a stationary boundary microphone best suited for ambient or speech capture from fixed positions.
How do frequency range and audio quality compare?
The PT4500 covers 35–20,000 Hz with a 120 dB-A SNR; the PZM6 D covers 20–20,000 Hz with a 74 dB-A SNR. The PT4500 is optimized for clean instrument/voice transmission, while the PZM6 D prioritizes high SPL handling and boundary rejection over low-noise performance.
What's the key operational difference?
The PT4500 is wireless and requires a paired receiver; the PZM6 D is a wired condenser microphone that connects via XLR and must be mounted on a surface (floor, wall, or ceiling) to activate its hemispherical pattern.