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La Mancha Rubinito Rojo SM/59 Classical Guitar vs La Mancha Rubinito Azul SM/59 Classical Guitar
Both are identically sized 3/4 La Mancha classical guitars with nearly identical construction—the key difference lies in tonal character and intended use. The Rubinito Rojo emphasizes focused projection and clear articulation for classical study, while the Rubinito Azul prioritizes warm roundness and natural sustain suited to flamenco and fingerstyle.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
La Mancha Rubinito Rojo SM/59 Classical Guitar
La Mancha Rubinito Azul SM/59 Classical Guitar
Specs side by side
| La Mancha Rubinito Rojo SM/59 Classical Guitar | La Mancha Rubinito Azul SM/59 Classical Guitar | |
|---|---|---|
| Price | $289.99 | $289.99 |
| Brand | La Mancha | La Mancha |
| Body Type | Hollow | Hollow |
| Strings | 6 | 6 |
| Frets | 19 Frets | 19 Frets |
| Fretboard | Ovangkol | Ovangkol |
| String Type | Nylon | Nylon |
| Year | Unknown | Unknown |
| Condition | New | New |
Why choose La Mancha Rubinito Rojo SM/59 Classical Guitar
- ✓ Focused, clear articulation ideal for classical technique practice
- ✓ Good projection for a 3/4 size—projects well in larger spaces
- ✓ Stable, reliable intonation for developing proper ear training
- ✓ Professional construction at budget price tier
Why choose La Mancha Rubinito Azul SM/59 Classical Guitar
- ✓ Warm, rounded tone with crystalline trebles—more expressive character
- ✓ Natural sustain and harmonic complexity reward fingerstyle and flamenco
- ✓ Responsive playability—intuitive touch sensitivity for developing musicality
- ✓ Equally capable in solo practice and small ensemble settings
Frequently asked questions
Are the physical specs identical?
Yes—both are 3/4 size with 590mm scale length, 49mm nut width, solid German spruce top, maple back and sides, NATO neck, ovangkol fingerboard, and nubone nut and saddle.
Which one projects better for ensemble or performance?
The Rubinito Rojo is described specifically for 'good projection for its size,' making it the stronger choice if volume and carrying power in larger spaces matter. The Rubinito Azul is optimized for solo practice and small ensemble settings.
Can I play flamenco on the Rojo?
The Rojo is not explicitly suited to flamenco—it's built for folk and classical study. The Azul is specifically engineered for flamenco technique and responds better to the percussive strokes flamenco demands.
Which is better for a beginner learning classical technique?
The Rubinito Rojo is explicitly marketed for classical study with emphasis on clear articulation and balanced tone, making it the more direct choice for building proper technique foundations.