11102-80-W vs 11102-80-Z — Compare
Seymour Duncan SH-12 Screamin' Demon White Pickup vs Seymour Duncan SH-12 Screamin' Demon Zebra Pickup
Both are SH-12 Screamin' Demons with identical 10.1 kΩ resistance and 7 kHz resonant peak, but the White features moderate output and upper-midrange presence for precision in dense mixes, while the Zebra delivers higher output with tighter lows and piercing treble for aggressive modern metal. Choose the White for balanced articulation across rock styles; pick the Zebra if you need maximum cut and punch in drop tunings or extreme gain settings.
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Seymour Duncan SH-12 Screamin' Demon White Pickup
Seymour Duncan SH-12 Screamin' Demon Zebra Pickup
Specs side by side
| Seymour Duncan SH-12 Screamin' Demon White Pickup | Seymour Duncan SH-12 Screamin' Demon Zebra Pickup | |
|---|---|---|
| Price | $129.00 | $129.00 |
| Brand | Seymour Duncan | Seymour Duncan |
| Condition | New | New |
Why choose Seymour Duncan SH-12 Screamin' Demon White Pickup
- ✓ Moderate output balances aggression with note clarity
- ✓ Upper-midrange emphasis cuts through without harshness
- ✓ Excellent string separation ideal for complex riffs
- ✓ Versatile enough for rock and metal without extremes
Why choose Seymour Duncan SH-12 Screamin' Demon Zebra Pickup
- ✓ Higher output and tighter low end for modern metal
- ✓ Piercing treble cuts decisively through dense mixes
- ✓ Uncovered zebra coils offer distinctive visual appeal
- ✓ 4-wire plus shield conductors provide enhanced wiring flexibility
Frequently asked questions
What's the main tonal difference between these two?
The White has moderate output with balanced upper-midrange presence for clarity. The Zebra has higher output with tighter lows and piercing treble for a more aggressive, cutting tone. Both share the same 7 kHz resonant peak but emphasize different frequency ranges.
Which works better for drop tunings and extreme metal?
The Zebra is specifically designed for metal and drop tunings with its higher output and tight low end. The White is better suited to standard tunings and balanced rock applications where articulation matters as much as aggression.
Are there any construction differences?
Both are hand-built in Santa Barbara with vacuum wax potting and nickel silver bottom plates. The Zebra includes 4-wire plus shield conductors versus the White's 4-conductor cable, and the Zebra features uncovered zebra coils for aesthetics and possibly slightly different tonal coloration.
Will either work for blues or jazz?
Neither is recommended for blues or jazz. Both are voiced for rock and metal with too much upper-midrange presence and aggression for traditional blues or jazz applications.