Seymour Duncan SH-5 Duncan Custom White Pickup
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- Brand new in original box
- Full Seymour Duncan manufacturer's warranty
- Free shipping in the continental US
In stock
- SKU
- 11102-17-W
Description
Seymour Duncan SH-5 Duncan Custom White Pickup
The SH-5 Duncan Custom is a medium-output bridge humbucker engineered to capture aggressive articulation while maintaining note definition across a mix. Hand-built in Santa Barbara, this pickup combines ceramic bite with carefully voiced midrange presence, translating to recordings that cut through high-gain sessions and deliver clarity on lead overdubs without losing punch in the low-mid thickness.
Tone & Performance Character
A 6 kHz resonant peak combined with bright treble voicing (9) and balanced midrange (6) positions the SH-5 as a tracking powerhouse—aggressive enough to document modern rock and metal fundamentals cleanly, yet controlled enough to preserve articulation on complex chord voicings without introducing mix-clogging mud. The 14.1 kΩ DC resistance ensures bridge-position focus without sacrificing the clarity needed for detailed studio documentation.
Design & Construction
Vacuum wax potting eliminates microphonic feedback, critical for maintaining signal integrity at high-gain tracking levels. The 4-conductor lead wire enables flexible wiring configurations to shape your session palette, while the nickel silver bottom plate contributes tonal clarity and structural stability that translates reliably across recording chain variations.
Key Features
- Medium output humbucker with small ceramic bar magnet
- 14.1 kΩ DC resistance
- 6 kHz resonant peak for focused midrange projection
- EQ voicing: 7 bass / 6 midrange / 9 treble
- 4-conductor lead wire for flexible wiring options
- Nickel silver bottom plate
- Vacuum wax potted construction for feedback-free performance
- Hand built in Santa Barbara, CA
- Designed for bridge position installation
The Duncan Custom SH-5 remains a tracking staple for producers and engineers who require cut and clarity without excessive noise in the studio.
More Information
| Condition | New |
|---|
Reviews
At a Glance
The SH-5 is a medium-output bridge humbucker engineered for aggressive, high-gain recording and mixing—delivering ceramic bite and focused midrange presence that sits well in heavy, layered productions. Its 6 kHz resonant peak and bright treble voicing (9) provide cut and clarity without excessive feedback, making it a versatile choice for capturing punchy rhythms and articulate lead takes in the studio. Vacuum wax potting and hand-built construction ensure consistent, noise-free performance across sessions.
Who This Is For
Great for
- ✓ Metal
- ✓ Hard Rock
- ✓ Progressive
- ✓ Modern Rock
Not the best pick for
- – Jazz
- – Blues
- – Folk
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
Is the SH-5 good for metal and hard rock?
Yes. The SH-5 is specifically designed for metal, hard rock, progressive, and modern rock. Its 14.1 kΩ output, ceramic bite, and vacuum wax potting eliminate feedback at high-gain volumes while maintaining articulation and note definition.
What is the DC resistance and output level?
The SH-5 has a 14.1 kΩ DC resistance with medium output, positioning it as a bridge specialist that balances aggression with controlled clarity. It's aggressive enough for modern styles yet articulate enough to handle complex chord voicings without muddiness.
What is the frequency response and EQ voicing?
The SH-5 features a 6 kHz resonant peak for focused midrange projection, with EQ voicing of 7 bass / 6 midrange / 9 treble. This combination delivers bright treble and balanced midrange for presence and punch.
What wiring options does the 4-conductor lead wire allow?
The 4-conductor lead wire enables multiple wiring configurations, giving you flexibility to coil-tap, series/parallel switch, or phase-reverse the pickup depending on your guitar's wiring scheme.
Is the SH-5 suitable for jazz or blues?
No. The SH-5 is voiced specifically for metal, hard rock, and modern rock and is not recommended for jazz, blues, or folk styles, where its aggressive character and bright treble voicing would be a poor tonal fit.
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