SCHECTER879-B0588 vs SCHECTER927-B0354 — Compare

Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0588 vs Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

The KM-6 MK-III EX is a baritone (28-inch scale) neck-through designed for extreme tunings and djent, while the C-1 FR-S is a standard 25.5-inch scale set-neck with Fishman Fluence electronics offering voice switching. Choose the KM-6 for drop-tuned brutality and organic tone; choose the C-1 for modern high-gain versatility with switching options.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0588

$1,279.20
View Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0588

Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

$1,599.20
View Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

Specs side by side

Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0588Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354
Price$1,279.20$1,599.20
BrandSchecterSchecter
SeriesSchecter Keith Merrow KMSchecter C-1
BodySingle CutawayDouble Cutaway
Body TypeSolidSolid
Scale28" Scale25.5" Scale
Strings66
Frets24 Frets24 Frets
FretboardEbonyEbony
NeckMapleMahogany
Neck ConstructionNeck-Thru-Body
BridgeHipshotTremolo
Year20242025
ConditionRefurbishedRefurbished

Why choose Schecter KM-6 MK-III EX guitar in Satin Black Open Pore B-Stock 0588

  • Baritone 28-inch scale built for extreme drop tunings and low-end aggression
  • Neck-through construction with carbon fiber rods maximizes sustain and resonance
  • Open pore satin finish allows mahogany and ash to resonate naturally for warmer, more organic tone
  • Single Lundgren Black Heaven humbucker with killswitch delivers focused, punchy clarity

Why choose Schecter C-1 FR-S Przym Vespid Signature Guitar B-Stock 0354

  • Fishman Fluence Modern Ceramic pickup with switchable voices gives modern high-gain flexibility without external gear
  • Sustainiac neck pickup system provides infinite sustain and true single-coil voice option
  • More accessible 25.5-inch scale works for standard and drop tunings without extreme baritone feel
  • Push-pull master controls unlock alternate tones on the fly during performance
Bottom line: Pick the KM-6 MK-III EX if you're tuning lower than standard and want thick, organic sustain with minimal electronics. Pick the C-1 FR-S if you need modern high-gain versatility, voice switching, and sustain effects from a standard-scale platform.

Frequently asked questions

What tuning range is each guitar built for?

The KM-6 MK-III EX's 28-inch baritone scale excels at extreme drops (B, Bb, and lower). The C-1 FR-S at 25.5 inches handles standard to drop-D and moderate drop tunings comfortably but isn't designed for extreme baritone territory.

How do the electronics differ?

The KM-6 has a single Lundgren Black Heaven humbucker with on/off killswitch—minimal but focused. The C-1 features Fishman Fluence Modern Ceramic with switchable voice options and a Sustainiac neck pickup system offering infinite sustain plus single-coil emulation, providing far more tonal flexibility.

Which is better for metal and djent?

Both suit metal and hard rock, but the KM-6 is purpose-built for djent with its baritone scale, neck-through sustain, and thick midrange punch. The C-1 is excellent for modern metal but more versatile across subgenres thanks to voice switching.

How does the open pore finish affect tone on the KM-6?

Open pore satin allows the mahogany body and ash top to resonate freely without polyurethane sealing, producing warmer, more organic sustain. Sealed finishes typically sound tighter and more controlled; open pore adds resonance character sought in high-end instruments.

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