11102-106-B vs 11102-106-RZ — Compare
Seymour Duncan Hades Gates Black Pickup Set vs Seymour Duncan Hades Gates RevZebra Pickup Set
Both are overwound Alnico 2 humbuckers built for metal and high-gain styles, but the RevZebra emphasizes extended treble clarity and punch for cutting through dense mixes, while the Black focuses on controlled compression and tight low-end articulation. Choose the RevZebra for brighter, more cutting high-gain tones; choose the Black for darker, more controlled aggression.
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Seymour Duncan Hades Gates RevZebra Pickup Set
Specs side by side
| Seymour Duncan Hades Gates Black Pickup Set | Seymour Duncan Hades Gates RevZebra Pickup Set | |
|---|---|---|
| Price | $258.00 | $258.00 |
| Brand | Seymour Duncan | Seymour Duncan |
| Condition | New | New |
Why choose Seymour Duncan Hades Gates Black Pickup Set
- ✓ Controlled compression and focused attack ideal for precision in distortion
- ✓ Tight, focused low-end response prevents muddiness in heavy riffs
- ✓ Slightly warmer Alnico 2 character balances aggression with musicality
Why choose Seymour Duncan Hades Gates RevZebra Pickup Set
- ✓ Extended treble clarity cuts through dense mixes and band contexts
- ✓ Described as punchy with more aggressive modern voicing
- ✓ Explicit high-output classification optimized for extreme gain settings
Frequently asked questions
What is the actual output difference between these two?
Both are overwound Alnico 2 designs with nearly identical DC resistance (Neck 8.06k ohms on both; Bridge 8.90k vs 8.8k ohms). The RevZebra is marketed with explicit high-output classification, but electrical specs are nearly identical—the difference is voiced character rather than raw output.
Which is better for studio recording vs. live metal?
The Black's controlled compression and tight low-end suit studio precision and isolation. The RevZebra's extended treble and punch are designed to cut through live band mixes and dense high-gain recordings where clarity matters most.
Can both do coil-splitting?
Yes, both include 4-conductor wiring enabling coil-split and series/parallel configurations with appropriate electronics. This flexibility is identical between the two.
Are these suitable for jazz or blues?
No, both are explicitly not ideal for jazz or blues. Their overwound character, high output, and aggressive voicing are designed exclusively for metal, hard rock, djent, and high-gain contexts.